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Viewfinder: Jake Baggaley

Viewfinder: Jake Baggaley

We’ve been following Jake’s (@jakebaggaley.photographer) work for a while. With a background in documentary photography, he’s built a style rooted in real moments and natural storytelling. Now working across commercial outdoor and lifestyle campaigns, Jake brings that same approach into his work, capturing honest interactions between people and the environments around them.

What's your story?

I grew up playing with cameras with both my parents as avid photographers, before studying commercial photography and at the time was mostly shooting social documentary travel stories. Through my community in the trail running and motorcycle world, I eventually transitioned into shooting commercial outdoor and moto travel work, trying to bring the candid style from my documentary days into the commercial work. I was drawn to the challenge of trying to capture feelings, moments and stories within a single frame, it’s always a puzzle trying to get it right.

Tell us about 5 of your favourite images



Kita Hotaka

I was running production for a campaign shoot for RAB so had spent weeks planning and timing this shoot and the crux was this night at a mountain hut after a long day climbing along a narrow ridge. The weather had been pretty cloudy all day but as we arrived at the hut, the clouds broke and we got an incredible sunset and view back to the ridge. The feeling of all this hard work coming together was unbelievable!

 

Scram Africa

I’ve spent a lot of time shooting on bikes in Morocco and this shot has been on my wishlist for years. Eventually, all the stars aligned and we found ourselves riding alongside these wild camels and managed to quickly set up and capture it!

 

The Speed Project

This shot was from a trip documenting Holly Rush running 300 miles solo from LA to Vegas through some of the hottest deserts in the world. I loved this moment towards the end of the race with the colour match of the ice locker and her trainers!

 

The Runway

Collaborating with Cake electric motorcycles (RIP) happened to line up with a good friend getting his pilots licence. Setting up this shot with some mates as the crew was a pretty memorable evening!

 

Stalker

This shot came from a personal project trying to mix some classic cinema inspired styles with more contemporary photography. Working with some talent I really admired, I just loved the way this one came out and the energy in the shot.


What would be your dream location to shoot?

I feel like I'm pretty lucky with where and what I get to shoot - I’d love to do some running in the mountains of Ethiopia or a motorcycle shoot on the ice! Other than that, I'm always looking for projects that can blend social documentary and stories with the sports that I love.


What's your favourite thing to do that has nothing to do with photography?

The line between the work I do and what I do for fun is pretty thin, spending most of my free time running in the mountains or riding bikes off road. I also love to surf, read books and spend time in nature in any way I can!

Thanks to Jake for taking the time to share his work and process with us. You can explore more of his photography on Instagram @jakebaggaley.photographer or website.

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Viewfinder: Gstee

Viewfinder: Gstee

In this week’s Viewfinder, and to coincide with World Ocean Day, we sat down with Cornwall-based photographer Gstee (@gstee). Known for his striking aerial imagery, Gstee captures the natural world in a way that reveals patterns, textures, and moments that are often overlooked from the ground. Through his work, he encourages a fresh appreciation for the seascapes around us. What's your story? I got into photography while I was working as a touring live sound engineer, and searching for a bit of balance. Spending so much time in loud, hectic environments made me truly appreciate the calm of Cornwall whenever I came home. The quiet coastlines, sunrises and sunsets, and time in and around the ocean. With a family background in aviation, I was lucky enough to go flying and experience aerial perspectives from a young age, seeing the landscape from above. That perspective has always fascinated me. Gstee originally started as a playful creative escape for the moments in-between gigs as a way of reconnecting to this, but over time it’s become a way of sharing an often unseen, impermanent perspective of the natural world and bring the calm of it into peoples homes. Tell us about 5 of your favourite images Forgotten Dreams This is probably my favourite image I’ve ever taken. I shot it close to home at the edge of a tidal estuary, during a small window before this sand island disappeared beneath the incoming tide. Watching the water interact with the sand felt like a dance between the waves and the shifting tide. It was one of those moments where everything aligned perfectly for just a few minutes.   To The Sea I took this at my local surf break during winter a few years ago while experimenting with the movement and energy of both the waves and the surfers in the cold water. It’s one of the few images I’ve shot that isn’t taken directly from above, and I think that shift in perspective gives it something unique. It’s one of those photographs I know I’d never be able to recreate in exactly the same way, and that unpredictability is what I love most about shooting the ocean.   Volcan This was the shot from that super windy and risky moment in the Canary Islands. Thankfully, the images made it back in one piece. It was one of my first times shooting landscapes like this rather than the ocean and I remember being drawn to the contrast in the volcanic terrain. It felt like I was capturing something otherworldly and a completely different energy and environment to what I’d shot before.   Lone Surfer This image came from one of my very first shoots using a drone. It actually sat dormant on my computer for quite a while before I rediscovered it, and when I came back to it I instantly fell in love with it all over again. What draws me to the photo is the way the stormy sky reflects back onto the surface of the ocean, almost blending sea and sky into one. The lone surfer in the frame gives a real sense of scale and solitude.   Break ‘Break’ is a fairly new image and what I love about it is how it seems to hold so many different states of movement within a single frame. For me, it captures that constant ebb and flow between calm and chaos; the way the ocean can feel both powerful and peaceful at exactly the same time. What's the weirdest or wildest thing that's happened on a shoot? Nothing too outrageous thankfully! A few years ago I was shooting in the Canary Islands and launched the drone from the top of a volcano in seriously heavy wind. It definitely felt like one of those moments where I thought, “this thing might be disappearing forever.”, but I knew the perspective was going to be epic. Thankfully, it survived, and the photos ended up being worth it. What's a must-have item you can't live without on a shoot? I mean… sunglasses feels like the dangerously obvious answer, but genuinely, a good pair is essential. My work involves flying drones mostly over water in bright conditions, so being able to actually keep sight of it in the sky is pretty important. Other than that, probably good coffee!   A huge thank you to Gstee for taking part in this edition of our Viewfinder series. Keep up with Gstee and his work by heading to his handle @gstee or wesbite. If you'd like to take part in our Viewfinder series, please get in touch at hey@tenslife.com for more info.

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Viewfinder: Michael Lazenby

Viewfinder: Michael Lazenby

In this week’s Viewfinder, we sat down with Michael Lazenby (@michaellazenby), UK-based photographer. Inspired by a childhood immersed in film and years spent exploring the Lake district with friends, Michael’s work is rooted in storytelling and atmosphere. Self-taught across both photography and filmmaking, his work blends cinematic influence with a deeply personal approach to documenting the world around him. What's your story? For as long as I can remember, I’ve been drawn to creative mediums as a way of expressing myself. Going to the cinema and watching movies at home was a huge part of my upbringing, and the films of Spielberg, like Jurassic Park, had a huge impact on me. I became instilled with a sense of awe and wonder from a young age. Fast forward to my early 20’s, I was looking for some direction and purpose in my life. My friends and I started having day trips to The Lake District to walk the fells, and we were seeing some truly breath-taking sights that re-ignited the same feelings I had when I was younger. I wanted to document those experiences in a more tangible way, so I bought a camera.  I taught myself the ropes of both photography and filmmaking over the next 10 years, and along the way I managed to turn it into a successful career. I believe Creative work is a deeply personal act of self expression, and throughout my journey with a camera I’ve always maintained a strong connection between me and my work, always leaning back to what first inspired the younger me. Tell us about 5 of your favourite images Ullswater, The Lake District I’ve always loved how winter can completely transform a familiar landscape, but often the conditions are fleeting and difficult to predict. This day was different, calm conditions, fresh snowfall and blue skies. I was driving along Ullswater last winter and spotted these swans gathered at the shoreline. Hastily, I parked the car and sprinted down to the lake. I loved the filmic look to the scene and the soft light on the swans against a wintery backdrop.    Havana, Cuba The photograph that heavily influenced a new direction in photography for me. I took this image on a trip to Havana in 2022 with my partner. I had no experience of street photography at the time, but I was experiencing a period of burn-out and thought a change in subject might help me navigate through it. It’s since become one of my favourite images, and a turning point in my career of what I enjoy shooting. A lot of the work I now share is from the streets, and I’m so glad I allowed myself the opportunity to experiment and try something new by taking my camera with me on this trip.   Saltburn-by-the-Sea, North Yorkshire This was the first photograph I took on a Fujifilm camera in 2022. Saltburn is my “home away from home”, a local seaside town I frequent with my camera. I’ve always loved the Wes Anderson aesthetic of the tramway’s ticket office, and as I lifted my camera to take the photo, the operator, Eddie, took it upon himself to stand in the doorway for my photo, which just gave the image that much more of a story for me. Eddie sadly passed away in 2024. When his daughter reached out to me asking for a print of this image to remember him, I felt a huge sense of pride that a piece of work I made could have such a profound emotional value to someone else.   Crinkle Crags, The Lake District I’ll never forget the morning this photo was made. I’d just driven through the early hours of the morning to get to The Lake District for a walk up into the fells for sunrise, with two friends and fellow photographers. Reaching the summit for about 6am, we started to notice a cloud inversion off into the distance. “We’ve picked the wrong fell” one of us said. Then, as the sun rose, the cloud started to roll further towards us, weaving its way through the troughs and peaks of the landscape. It got ever closer, and then, this moment unfolded right before our eyes.   Seville, Spain One of my most recent and favourite images, taken on a photography trip to Seville with two of my close friends. This was taken on the last day of our trip. After a few days of very mixed weather, we finally had a picture perfect afternoon, and the streets just had so much more life to them. I love everything about this image. The colours, composition, subject and feeling of movement. I eyed up the scene and sat patiently on a very uncomfortable bollard for the right subject, and just as I was about to give up, this family entered the frame. For me, it encapsulates everything I’ve learned about street photography over the last few years; documenting the life of a place whilst creating a body of work that focuses on storytelling. What would be your dream location or subject to shoot? As of late, my favourite subject has been street photography. Around 4 years ago I went through a year-long stint of burnout. My partner and I had just booked a 2 week trip to Cuba, and our first week was in Havana. I had no experience of photographing a city and quite frankly, no interest. But I’d just bought my first Fujifilm camera, and it was the perfect travel companion, so I brought it along without much expectation. Turns out, it was exactly what I needed, and I loved the process. Since then, street photography has become a huge part of my work, and I’ve learned more about storytelling through photographing the streets than I ever could have in any other environment. What's your favourite thing to do that has nothing to do with photography? For the last two years my partner and I have been self-renovating our first home, and I’ve loved the process. I fully believe in the statement ‘your home is a reflection of you’ and that's what I’ve most enjoyed about bringing it to life, creating a space that feels our own, mirroring the connection I feel to my work. My commercial work in hotels has given me a better understanding of what makes a space feel inviting, and my partner has a great eye for colour and texture, so it feels like a team project we can both be proud of. A huge thanks to Michael for taking part in this edition of our Viewfinder series. Keep up with Michael and his work by heading to his @michaellazenby or website. If you'd like to take part in our Viewfinder series, please get in touch at hey@tenslife.com for more info.

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Tens X Team Scotland

Tens X Team Scotland

Tens was inspired by three friends and photographers on a road trip through the Scottish Highlands who wanted to bring warmth to everyday life and make the world feel a little more like a real-life photo filter. This summer, the Scottish sunglasses brand is proud to sponsor Team Scotland for the Commonwealth Games in Glasgow. Ahead of Glasgow 2026, we caught up with Tens Creative Director Steve Henry to chat about sport, photography, Scotland and the excitement building around the Games. Jill (left) & Steve (right) from Tens with Kaleem Barreto (center) from Team Scotland Can you tell us about Tens Sunglasses, how did it all start? Tens was started by 3 photographers and filmmakers while driving through the Highlands. They wanted to take the rich, warm colours we add to our photos and apply them to real life. And so, countless rounds of prototypes and a crowdfunding campaign later, Tens came to life. Our custom filter lenses immerse you in a world reminiscent of a distinct time, place or feeling - an experience you’ll want to revisit time and time again. Each lens has a unique feel inspired by some of our favourite photography and films. Why did Tens want to get involved with Team Scotland and the Commonwealth Games? Good question! Whilst tens isn't really a sports sunglasses brand, when you have these big events like the commonwealth games you just get that amazing buzz in the city, and we’re all about good vibes and making the world look better with our filters. I think that with sport you just get that energy in the city, and with it being our home games and Team Scotland, we just couldn't resist and wanted to be involved in any way we could. What are you going to be doing during the Games? Obviously rooting for Team Scotland. But we're going to be out and about capturing content in Glasgow. We're going to be out there looking for the good vibes and looking for those good stories. In any games you've always got Eddie the eagle or Eric the eel, we're going to be trying to capture that and find people out just bringing the joy and generally seeing what's going on around Glasgow during the games. What sports are you most looking forward to? I think all of them really. I love anything on the track and field but I think I'm really looking forward to track cycling! I've done a bit of cycling myself and it's just got everything, it's got speed, it's got danger. And then I love the sprint races. You've got that tactical element that’s almost like chess on wheels so I just love watching that. What’s your own experience with sport? I grew up playing rugby, which helped transform me from a big prop to a lean back row (and also transformed my nose to the side a little). I only played at amateur level, but I do hold a world record for playing in the most Northerly game of rugby ever played at the Magnetic North Pole which was part of an expedition organized by the charity Wooden Spoon. We trekked for 7 days then set up a full size pitch and posts for a 7s game and I got to experience what it's like to try and tackle the former England 7s captain Ollie Phillips (unsurprisingly it didn't go so well for me). After retiring from rugby I've also dabbled in a bit of endurance sports, ran a few ultramarathons including the Marathon des Sables in the Sahara desert and love getting out on my road bike. Steve at the Magnetic North Pole (back far left) Which Team Scotland athlete would you most like to meet? Oh that's a tough one! There's far too many to choose from but I've been doing a bit of swimming lately so I'm going to say Duncan Scott, just because he's our most decorated athlete. But any of them really. Love all you guys. Why is sport important? I think sport can inspire us all, even if we're not going to compete and push ourselves to the limits like the athletes in the game. We're all striving for something and when you watch the games you get to see one of the purest forms of someone giving everything to chase their dreams. It's great to watch and I'm always inspired afterwards to get out running or on my bike. These games and the para sports are being shown simultaneously, which I think is a really good thing and will make the games even more inspiring. When you watch people deal with adversity with such strength and positivity it really reminds you that you've got no excuses to not put yourself out there and chase your own dreams. How do Tens lenses change the way you see sport? When you wear Tens it's hard not to be in a good mood, so if you're wearing them in the stadium then it should make the whole day look better and more vibrant. Hopefully all the Team Scotland athletes wearing them will be in a positive mindset and we'll see some great performances too. Tens is rooted in photography, how does that influence what you’re doing with Team Scotland? Photography is the inspiration behind the brand and a huge passion of mine, so I'll definitely be trying to capture some great shots of the athletes and all the joy and emotions that the games bring. Why is capturing sport through photography so important? The scoreboards and the timers will capture the results, but sport is about much more than that. The image, both still and moving, are what captures the essence of the games. The raw emotion, the struggle, the joy and sadness, and that's what makes these games so special. How will it feel to have Team Scotland athletes wearing Tens Sunglasses at the Commonwealth Games? We're all going to be super proud. The Team Scotland athletes have been training for years in the run up to the games and are at the peak of performance, so to see them in our sunnies is going to be pretty special. With Glasgow set to host an unforgettable summer of sport, Tens will be out capturing the atmosphere, energy and moments around the Games along the way. Follow @tens and @team_scotland to keep up with team Tens throughout the Commonwealth Games.

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